Writing Your First Short Story
Go from blank page to a finished, revised short story in seven days using the craft moves real fiction runs on.
This course is for members
$9 unlocks every course in the library, this one included, plus a credit to build a topic of your own and at least 10 new courses every month.
What you will learn about Writing Your First Short Story
The 7-day sprint
- A Character Who Wants Something. A short story starts when a specific person wants something specific and cannot simply have it.
- Scene, Not Summary. Stories are built from scenes, which are continuous stretches of time in a place where something changes.
- Point of View and Voice. Choosing whose head you are in, and how close you are to it, decides what the reader can know and how the prose sounds.
- Conflict That Escalates. The middle of a story works when pressure increases and the character's options narrow.
- Concrete Detail and Restraint. Specific sensory detail creates belief, and choosing few details makes each one carry weight.
- Endings That Turn. A short story ends when something has irreversibly changed, and the last lines should resonate rather than explain.
- Revision as Decision-Making. Revision is not tidying sentences; it is deciding what the story is about and removing whatever does not serve that.
The 80/20: the 7 concepts that matter most
- Desire Meeting Obstruction
- Scene Over Summary
- Sealed Point of View
- Escalation
- Concrete Detail, Rationed
- Dialogue on the Slant
- Revision by Subtraction
The core idea, explained like you are 5
A story is a person who wants something and has trouble getting it, and the trouble is what makes it a story.
Then the quiz and the ladder
10 questions that correct you when you are wrong, and beginner, intermediate, advanced levels, each with a practical exercise.